On Now: Tracey Emin’s “How It Feels”

The security guard sits absent-mindedly, bored, at the entrance to the exhibition, seemingly unphased by the strange combination of disco, piercing screams, and melancholy reggae emanating from the darkened rooms of the gallery space. Visitors move uncertainly into the exhibit, as if entering some seaside carnival funhouse, or a bad memory. Small neon pink letters …

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